No matter what gear you’re using to master your final mix, always start with the EQ. You can follow these steps with any comprehensive software or hardware mastering set-up, but for this tip, we’re using IK Multimedia’s most praiseworthy T-RackS 3 deluxe mixing and mastering suite. With those qualifiers out of the way, here’s a tutorial illustrating what we consider a sound approach to mastering your final mix. It’s also wise to familiarize yourself with Hit Talk’s online and email tips, as well as Hit Theory, to get a better sense for some of the processes that come before this final stage. So, be forewarned that this tip (and good production in general) requires quality monitoring. Either they’ve overcompensated in the bass range, or they have no idea how flat their mixes are. Maybe you’re skeptical, but you can tell when someone has mixed without a sub. Good mixing and good mastering require good monitoring, preferably with a properly-positioned 2.1 system. It’s a persistent question because attaining a bold, big sound requires inspired production wizardry and skill at every single stage of the music-making process - from recording, to picking samples, to mixing and equalizing, right down to this tip’s topic: the final master. Out of the hundreds of reader questions we have answered during Hit Talk’s first year, perhaps none is more persistent than how to attain a hotter, better-mastered mix.
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